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He glanced over at Kotoe’s chest.
She had no ‘flower.’
What she did have was a bountiful amount of leaves, which were the domain of kindness and warmth, and her stem and roots were equally secure. But there was no flower to be found.
Kotoe was a good girl.
She wasn’t bad looking. Her parents owned several apartment buildings and were obviously rich. There was no reason at all for her to be unhappy.
But deep in her heart, she wondered, ‘Why have I never come across anything definitively radiant?’ Sometimes she would see a really ordinary, average person who was completely passionate about some insignificant thing. This would devastate her—-she would be terribly jealous of them.
But there was nothing she could do about it.
Boogiepop Returns VS Imaginator Part 1, Kadono Kouhei

This is a piece of mine from 2008 for an ensemble of four women and two men.  It is somewhat primitive in that I did almost nothing with volume and tone color.  I am nonetheless happy with the effectiveness of the graphical notation of pitch-movements rather than specific pitches and wish to one day write a successor to this work for a similar ensemble.

Hier ein Stück von mir, das 2008 geschrieben wurde, für vier Frauen- und zwei Männerstimmen.  Es ist insofern primitiv, als ich fast nichts mit Lautstärke und Klang machte.  Ich bin nichtsdestotrotz mit der Wirksamkeit der Notierung von Tonbewegungen anstatt genauer Tonhöhen glücklich und möchte eines Tages einen Nachfolger dieses Stückes für eine ähnliche Besetzung schreiben.

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